Description
When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between it’s late-1940’s configuration (the 5-man trumpet section) and it’s mid-1950’s personnel.
Sale! When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between it's late-1940's configuration (the 5-man trumpet section) and it's mid-1950's personnel.
When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between it’s late-1940’s configuration (the 5-man trumpet section) and it’s mid-1950’s personnel.
Sale! When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between it's late-1940's configuration (the 5-man trumpet section) and it's mid-1950's personnel.
When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between it’s late-1940’s configuration (the 5-man trumpet section) and it’s mid-1950’s personnel.
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